Martena Clinton, mugging for the camera in this choreographed photo.
NBC News has reported that a number of local DC firefighters reportedly cooked and served dinner at a retirement celebration at a Columbia Heights fire station while both male and female firefighters were present and an investigation is underway to determine what happened (um, i think it's pretty obvious) and how these brazen individuals should be punished. 
“My own garden is my own garden,” said the Giant; “anyone can understand that, and I will allow nobody to play in it but myself.” So he built a high wall all around it, and put up a notice-board.One of the main selling points of Android devices is that Google Android is an open platform compared to the walled garden owned by the Selfish Giant, I mean, Steve Jobs. A number of recent articles in the tech blogosphere (yes, I hate myself a little bit for using that term) have started to call into question this myth.TRESPASSERSHe was a very selfish Giant.
WILL BE
PROSECUTED
When it became clear that Fenty was going to lose, there was a lot of shock going around in the circles I live and work in--which is to say, mostly white professionals who live in DC's gentrified, or gentrifying, precincts. After all, there's little question that things have gotten much better under Fenty, and not just for white people. The truly abysmal schools are being reformed, parks are being built, crime is slowly improving, the city is getting streetcars desired by almost everyone except the folks who live directly on the tracks . . . so why did voters just kick him out?She continues:
I don't think you can quite explain it by saying that Fenty's modestly corrupt (too-expensive contracts have gone to friends, though those friends seem to have mostly done the work very well). Marion Barry has remained quite popular here through much more serious violations, and in general, the corruption now pales in comparison to the pervasive corruption that has been uncovered in multiple city agencies, which long predates Fenty's administration.
Most people agree that this is ultimately a proxy battle over gentrification. It's all rather nebulous, because of course Vincent Gray hasn't campaigned on rolling back gentrification. He seems to support all the services Fenty has expanded, with the possible exception of the school reforms. Instead, the theme of his campaign--and the more generalized opposition to Fenty--has centered around respect and process.
Gentrification represents a real loss to people who can't afford to stay. They've lived in the city a long time; they have networks of friends and relatives, and institutions like churches, that are built around proximity. Why should they favor a city that provides more services--and then sees real estate prices spike, so that they can't afford to stay around to enjoy them? There are probably a number of voters for whom the status quo is vastly preferable to a situation where Fenty manages to improve the schools enough that middle class voters start a bidding war for homes in the district.The implications of her argument, if correct, are provocative. It only follows that a segment of D.C. believed things have been getting better, yet actively voted against progress. In fact, a recent poll showed that most Washingtonians thought the district was heading in the right direction. The same poll showed Fenty trailing behind Gray.
Certainly for the teachers and the taxi drivers--both groups huge opponents of Fenty--this is about real economic loss and changes to their jobs that make them less pleasant.
But no one comes right out and talks about the fact that they are now worse off; instead they talk about how Fenty has run roughshod over council process, or that he hasn't respected some group . . the teachers, the council members, "the community". So our mayoral election has become a debate over which groups in the city are worthy of respect, rather than what concrete improvements can be made in peoples' lives. Because in a city dysfunctional, there are no changes that make everyone better off.
I don't know whether the voters who selected Vincent Gray understand at some level that as long as the quality of life in the city continues to improve, gentrification will continue apace. Vincent Gray didn't force them to consciously make that choice; he made vague promises about things like inclusionary zoning which are supposed to keep more affordable housing in the district. These initiatives will not work, but at least they sound hopeful. And the people who voted for Gray are willing to hope because they think that he, unlike Fenty, respects their concerns.
I don't know how good a mayor Gray will be--he seems like a nice guy, but nice guys often have a hard time getting things done in fractious cities, and his campaign platform is pretty empty of actual proposals. I think this is probably a tragedy for the utterly dysfunctional school system, but I doubt that Gray is going to do much to roll back the other changes, like the change in the taxi fare system, that have made the city a better place.Progress marches onward? Washingtonians can only hope.
And for good or ill, I doubt he'll do anything about gentrification. Inclusionary zoning has, as far as I know, proven an excellent way to subsidize home building in poor neighborhoods, and to provide below-market housing for relatively middle class retirees, but it has not, as far as I am aware, ever succeeded in keeping a neighborhood's economic mix from changing. The forces altering DC right now are like a runaway freight train. In 2000, the population of DC was 30% white and 60% black; by 2006-2008, those numbers were 36% and 54%, respectively. Meanwhile, the percentage living below the poverty level dropped from over 20% to under 18%. On a demographic timescale, that is lightning fast. If gentrification keeps up at that pace, the lines are going to cross sometime in the next 10 to 15 years.
Vincent Gray could throw his body in front of the freight train and it wouldn't even slow down. The change in the city may stop on its own; no trend continues forever. But the city is now good enough that many affluent people who used to flee to the suburbs now want to live here--and their presence is attracting non-government services which make it attractive enough to lure still other people to follow them. Unless Gray starts an active campaign to make things worse, the core issue that seems to have animated this campaign is largely out of his hands.
Gaga has borrowed so heavily from Madonna (as in her latest video-Alejandro) that it must be asked, at what point does homage become theft? However, the main point is that the young Madonna was on fire. She was indeed the imperious Marlene Dietrich’s true heir. For Gaga, sex is mainly decor and surface; she’s like a laminated piece of ersatz rococo furniture. Alarmingly, Generation Gaga can’t tell the difference. Is it the death of sex? Perhaps the symbolic status that sex had for a century has gone kaput; that blazing trajectory is over…I wholly agree. In fact I wrote this about Gaga last year:
Gaga seems comet-like, a stimulating burst of novelty, even though she is a ruthless recycler of other people’s work. She is the diva of déjà vu. Gaga has glibly appropriated from performers like Cher, Jane Fonda as Barbarella, Gwen Stefani and Pink, as well as from fashion muses like Isabella Blow and Daphne Guinness. Drag queens, whom Gaga professes to admire, are usually far sexier in many of her over-the-top outfits than she is.
Peeping dourly through all that tat is Gaga’s limited range of facial expressions. Her videos repeatedly thrust that blank, lugubrious face at the camera and us; it’s creepy and coercive. Marlene and Madonna gave the impression, true or false, of being pansexual. Gaga, for all her writhing and posturing, is asexual. Going off to the gym in broad daylight, as Gaga recently did, dressed in a black bustier, fishnet stockings and stiletto heels isn’t sexy – it’s sexually dysfunctional.
Compare Gaga’s insipid songs, with their nursery-rhyme nonsense syllables, to the title and hypnotic refrain of the first Madonna song and video to bring her attention on MTV, Burning Up, with its elemental fire imagery and its then-shocking offer of fellatio. In place of Madonna’s valiant life force, what we find in Gaga is a disturbing trend towards mutilation and death…
I've been listening to the deluxe edition of her Grammy-nominated The Fame, and I just can't understand why Lady Gaga has broken out of the club scene to become a genuine pop phenom. Yes, her singles are decent, and she knows how to market herself (and endear herself to the gay community). In that latter sense, she invites comparisons to a young Madonna. But the comparison ends there. Go back and listen to Madonna's first few records. Those songs were some of the best pop of the eighties. Other than the incredible, aforementioned "Bad Romance" (which is as close as she gets to Madge's early brilliance), her material is pretty middling.Apparently many find plenty of there there: she won eight VMAs last night, including the top prize for video of the year. So it goes.
So what explains it? Perhaps it's because she's an amalgamation of what people like about other pop stars. She embraces style and fashion (like Gwen Stefani), she's a little outre (like Bjork and Kelis), and she flirts with prurience (like a lite version of Peaches). But is she really greater than the sum of her parts?
I don't think so. I'm reminded of Gertrude Stein's description of Oakland, California: When you listen to Lady Gaga, you find there is no there there.
